Lirik/Bait Lagu yang paling ngena buat elo!

jeje00

pusing pala berbi o o o....
pusing pala berbi o o o.....
pala berbi pala berbi o o o....

habis dengering lagunya beneran pusing dan bikin kejang xD

andi_andee

lagunya mulan jamilah yang makhluk tuhan paling sexy itu kayaknya terinspirasi dari gue deh, ;;)

spunkedfan

Aku memang manusia paling berdosa, khianati rasa demi keinginan semu - kerispatih

eizanki

Impossible

tommy_bun

Return To Innocence - Enigma

Lagu ini yang bikin gw berani coming out

"Be yourself don't hide
Just believe in destiny
Don't care what people say
Just follow your own way"

Prince Kael

Yg kena itu ada sih ost nya my girlfriend is a gumiho. "Yg fox rain" sama "the person who i love" kalau ga salah. Di translate ke bahasa inggris artinya

yubdi

Daniel Bedingfield "If You're Not The One"
If you’re not the one then why does my soul feel glad today?
If you’re not the one then why does my hand fit yours this
way?
If you are not mine then why does your heart return my call
If you are not mine would I have the strength to stand at all
I'll never know what the future brings
But I know you're here with me now
We’ll make it through
And I hope you are the one I share my life with
I don’t want to run away but I can’t take it, I don’t
understand
If I’m not made for you then why does my heart tell me that
I am?
Is there any way that I can stay in your arms?
If I don’t need you then why am I crying on my bed?
If I don’t need you then why does your name resound in my
head?
If you’re not for me then why does this distance maim my
life?
If you’re not for me then why do I dream of you as my wife?
I don’t know why you’re so far away
But I know that this much is true
We’ll make it through
And I hope you are the one I share my life with
And I wish that you could be the one I die with
And I pray in you’re the one I build my home with
I hope I love you all my life
I don’t want to run away but I can’t take it, I don’t
understand
If I’m not made for you then why does my heart tell me that
I am
Is there any way that I can stay in your arms?
‘Cause I miss you, body and soul so strong that it takes my
breath away
And I breathe you into my heart and pray for the strength to
stand today
‘Cause I love you, whether it’s wrong or right
And though I can’t be with you tonight
You know my heart is by your side
I don’t want to run away but I can’t take it, I don’t
understand
If I’m not made for you then why does my heart tell me that
I am
Is there any way that I could stay in your arms

Andriii

You'll never enjoy your life,
Living inside the box
You're so afraid of taking chances,
How you gonna reach the top?

reitnaws_89

Joni Mitchell - A Case of You

Just before our love got lost you said
I am as constant as a northern star" and I said
Constantly in the darkness
Where's that at
If you want me I'll be in the bar

On the back of a cartoon coaster
In the blue TV screen light
I drew a map of Canada
Oh Canada
And I sketched your face on it twice

Oh you are in my blood like holy wine
You taste so bitter
But you taste so sweet oh
I could drink a case of you, I could drink a case of you darling
Still be on my feet
i Still be on my feet

Oh I am a lonely painter
I live in a box of paints
I'm frightened by the devil
And I'm drawn to those ones that ain't afraid
I remember that time that you told me, you said
Love is touching souls
Surely you touched mine 'cause
Part of you pours out of me
In these lines from time to time

Oh you are in my blood like holy wine
You taste so bitter
And you taste sweet oh
I could drink a case of you, I could drink a case of you darling
Still I'd be on my feet
I still be on my feet

I met a woman
She had a mouth like yours, she knew your life
She knew your devils and your deeds and she said
Go to him
Stay with him if you can
But be prepared to bleed

Oh but you are in my blood you're my holy wine
Oh you taste so bitter
You taste sweet oh
I could drink a case of you darling
Still I'd be on my feet
I still be on my feet
Hmm
Still be on my feet

Pertama kali saya mendengar lagu A Case of You (ACOY) ini melalui penampilan dari James Wolpert kontestan The Voice USA musim kelima . Penyajian lagu versi pria asal Pittsburgh ini dibawakan secara akustik dan soulful sehingga mampu menusuk hati saya (cielah). Terpukau dengan penampilan mas James, akhirnya saya penasaran versi original lagu ACOY yang ternyata diciptakan oleh penyanyi folk 70an, Joni Mitchelle. Gaya vokal yang dinyanyikan versi Ms. Mitchelle agak Barbra Streisand-esque ya, terindikasi dengan tekstur vokal yang lembut dan kaya akan vibrato dan uniknya lagi aransemen musik yang dipakai adalah instrumen bernama Dulcimer, mirip dengan gitar tapi cara memainkankanya berbeda yaitu badan gitar yang direbahkan dipangkuan pemain. Lagu ACOY, juga pernah di cover oleh beberapa penyanyi kenamaan lainnya seperti Tori Amos, Prince, Michelle Branch, Diana Krall dan lainnya.

menurut saya pribadi ACOY merupakan lagu dengan lirik paling menyayat hati dan merasuk jiwa sepanjang masa (halah) haha. Kebetulan di situs songmeanings ada suatu intrepetasi lagu tersebut yang dianalisa perbaitnya. Berikut makna lagu ACOY menurut TrueThomas:

This isn't among among my favourite songs on the Blue album, but since it's held in high regard by people better than myself, I've had a tinker around in it to see what I could see.

The song is addressed to the singer's (ex-)lover. Its first line makes it clear that relationship has already finished ('Just before our love got lost...'). The conversational snippet which which follows passed between them 'just before' the relationship ended. 'Got lost' carries an insulting tone of 'get lost', but also implies that their love drifted off course in an aimless way, rather than anything more fractious.
'"I am as constant as a northern star"' is an adapted quote from Shakespeare's Julius Caesar. The use of 'a' is significant. Caesar says, '"...THE northern star",' as anyone would. Only Polaris holds the constant position required by traditional navigation, as Ms Mitchell knows very well (This Flight Tonight contains, 'Not THE northern one that guides in the sailors'). So this man's own words reveal his inconstancy, his unreliability. And the song is purportedly about Leonard Cohen, a star from Canada, a northern country, like herself. Canada is already on her mind, as becomes clear a few lines later.
'Constantly in the darkness...' - this darkness carries several meanings (ignorance, mystery, evil, unhappiness), none of them particularly positive. She might be accusing him of being bad to be around, or of robbing her of her own clarity or vivacity. On top of this, she seems to sing it as 'constant in the darkness', which could imply that he's faithful to her only when they're sleeping together at night, and she knows where he is.
'If you want me I'll be in the bar' - if he wants her, he'll have to come and find her. This is her taking control. And the bar, which is as much a setting for this song as anywhere, is a place people escape the darkness, somewhere relatively bright and peopled after nightfall.

'On the back of a cartoon coaster' - I'm not much up on bar coasters of the world, but I guess this one had a cartoon advert for some refreshing beverage on the top, and a blank underside, so she flips it over to draw on it. 'Cartoon' implies humour, which is a bit of a contrast from the song's contents - whatever else this song is, it isn't humorous.
'In the blue TV screen light' - so she's found herself still in relative darkness, illuminated by the monochrome TV. 'Blue' also refers back both to the album title, and to her feelings of dejection here. There's a suggestion that the TV, ignored as it imparts its content, being as neglected as she is.
'I drew a map of Canada' - now that can't be easy, with all those crinkly coastlines. But she draws it out of homesickness, or because of its association with the man whose face she's drawing 'on it twice'. Canada, their shared home country, is an unbreakable bond between them, unlike their relationship.
'Oh Canada' comes across as a kind of sigh, a lament, a cry of longing for home, for childhood, a plea perhaps for her country's help in this relationship. It also plays on 'O Canada', the name of the Canadian national anthem.
'With your face sketched on it twice' - Canada, as a 'landscape format' country, has enough room in a map of it for two faces ('portrait format' by definition) side by side. It's interesting that she draws his face twice, rather than his face and her own, which could imply that she thinks he's more in love with himself than he is with her.
Also, since cartoons were originally serious drawings (as in the cartoons of Leonardo and Raphael), which any serious painter such as herself would know, there's a link back to the cartoon coaster that starts the verse.

The song shifts from past to present tense for the chorus. This is how the singer feels now, either sitting in that bar, or looking back on this difficult love affair from a distance, but still living with its legacy.
'You're in my blood like holy wine' - he's infused into an essential part of her. 'Holy wine' is the blood of Christ transubstantiated from the red wine drunk in church communion. 'Like holy wine' implies that she sees something spiritual but also drug-like in him. He delivers the headiness of wine with its dangers as an intoxicant. As a New Testament image, this may be a defiant move away from Leonard Cohen, who habitually uses Old Testament/Hebrew Biblical imagery. And if she is sitting in that bar, she may well have red wine in front of her, and possibly more inside her, which might channel her thoughts into this imagery.
'You taste so bitter and so sweet' - she has a mixed impression of him, some pleasing, some not. And while it's probably pushing it too far, 'sweet' and 'bitter' are used in Old Testament imagery, the sweetness of honey (e.g. land flowing in milk and...; Samson's lion riddle to the Philistines), and the 'bitter herbs' eaten in preference to living with a disagreeable partner, or representing slavery in the Passover ceremonies.
We move into the hypothetical ('could... would...') for the final part of the chorus, with its confident, almost boastful, assertion. While it seems to come out of her strength, could she instead be using defiance to protect the vulnerability she feels in the face of him?
'A case of you' - as a song title on its own, this phrase implies he's a kind of illness. But in the context of the chorus, it's transformed to mean a lot of him (a case is 12 bottles of wine, at least in the UK - that's a serious quantity of refreshment). She's saying that if he's the equivalent of wine, then she could take a great quantity of him and still be able to function. The phrase is also open to sexual interpretations, but I think it's more about emotion and spirit than about any sexual activities.
Has she become so inured to his intoxicant-like powers that he doesn't affect her much any more, that even after absorbing such a quantity of him she retains the power to walk away ('on my feet')?

Next we have a present tense verse, describing a couple of thoughts concerning herself.
'I am a lonely painter, I live in a box of paints' - Ms Mitchell was always a painter, by its nature a solitary and possibly lonely pursuit. She's already created some art on the back of the beer mat in the previous verse. But I think these lines are about using elements of the people around her (the 'box of paints' she lives in) in her vocation as a songwriter ('painter'). Perhaps she feels that other people provide the colour in her life. Or it could even refer to music, where she's trying to find her own musical voice from the many genres available. Or it may refer to the fact that she's a solo artist and a solo songwriter ('lonely painter'). The one thing the phrase almost certainly isn't about is painting.
It may even refer (leading into the following lines) to the many available religions that were available in liberal 70s California, and being unable to find one that satisfies her, though I think this is less likely.
'Frightened by the devil' - religious imagery, which links with the title song on the album's 'Everybody's saying that hell's the hippest way to go...'. Mention of the devil also contrasts with the 'holy wine' of this man's influence on her.
'...those ones that ain't afraid' - perhaps she's seeing something of the diabolical as well as of the sacred in this man that she's 'drawn to'. Or maybe she's saying that this man has no fear, not just of the devil, but of anything.

'You told me you said' - at first this reads as uncharacteristically clumsy construction in a Joni Mitchell lyric, but does it mean he told her about another time he used the phrase?
"Love is touching souls" - whatever else this man is, he's eloquent.
'Surely you touched mine' - after proposing that love is a mutual touching of souls, she states that he touched hers (she was in love with him, and allowed him in). But was he similarly in love with her? She doesn't seem so sure.
'Part of you pours out of me, In these lines from time to time' - liquid imagery again. It may be continuing to follow the way wine goes into, through and out of the body. It may even be further sexual imagery. But I take these lines to mean that she is channeling whatever part of him she took into herself, out into songs, certainly this into one - she even uses two directly-delivered quotes from him. It's another mention of the songwriting process (following on from the 'painter' of the previous verse). Is she pouring the holy wine of him out of herself as a song? Perhaps this is the type of bleeding ('be prepared to bleed') she mentions at the end of the following verse.

When she sings 'a case of you...' this second time, her voice takes flight. Even though she can survive him, he still evidently makes her giddy. And it actually sounds like a (very musical) climax, so maybe the more sexual interpretations possible throughout this song gain currency. But immediately afterwards comes the assurance again that she'll still be on her feet.

'...a woman, She had a mouth like yours, She knew your life' - who could this mysterious woman be? Is her mouth physically similar to his, and so she's genetically linked, his mother or sister? Or someone who knew him intimately and from an early age, who grew up in the same area and consequently had the same accent? Or an ex-lover whose mouth had shaped itself to his? Almost certainly this is someone who knew him from childhood ('she knew your life') and could shed light on him for the singer.
'devils and your deeds' - this line doesn't reflect well on the man. The woman says he has devils in him, while the singer has already stated that she's 'frightened by the devil' earlier. So that's a bit of a compatibility issue. And 'deeds' implies his less savoury acts, rather than the totality of the things he's done.
'Be prepared to bleed' - but what form will this bleeding take? It's unlikely to be literal blood, though it may be in one respect, that in refusing to have a child by her, she will continue her normal menstrual bleeding. But it's most likely to mean 'be prepared to suffer'. And it may link back to 'you're in my blood', and the means by which she will get him out of her system, by writing songs (especially this song) about him.

The last chorus uses slightly different wording to the previous ones.
'But you are in my blood' seems like an admission to herself that, given all she's said, she has to acknowledge that part of him nevertheless still inhabits her.
'You're my holy wine' - this has shifted from simile to more intimate and definitive metaphor, with a statement that he still lifts her spiritually.
'You're so bitter, bitter and so sweet' - the 'bitter' part of him receives the emphasis, showing which way she sees the balance in him tilting.
And she gives another, slightly different, climactic 'you', followed by 'darling' - she still feels affection for him.
In spite of still craving some of what he gave her, though, she's still able to function, still able to separate herself off from him.
And at the end, both the music and the lyrics seem to drift to an indecisive finish, perhaps mirroring her uncertainty about how things will work out in the end.

It's a song of great complexity of possible lyrical meaning. But I think it's ultimately just an expression of simple pain and hesitant defiance, sung in a plaintive voice over beautifully spare music. She's a hurt and pensive woman, leaning over her instrument (a dulcimer is played on the lap), sitting in the aftermath of the relationship, trying to understand the man and what went wrong, but knowing that she has the strength to carry on. Lyrically eloquent and musically sparse, she has used some of what she imbibed of him to create this song, her Pyrrhic victory over him.

credit: TrueThomas
source : http://songmeanings.com/songs/view/60025/

reitnaws_89

Loh kok fungsi spoiler ga bisa ya,

SenyawaDiorama

lagu john mayer yg Stop This Train

No, I'm not color blind
I know the world is black and white
Try to keep an open mind
but I just can't sleep on this tonight

Stop this train
I wanna get off and go home again
I can't take the speed it's moving in
I know I can't
But, honestly, won't someone stop this train?

Don't know how else to say it,
Don't want to see my parents go
One generation's length away
From fighting life out on my own

Stop this train
I wanna get off and go home again
I can't take the speed it's moving in
I know I can't
but, honestly, won't someone stop this train?

So scared of getting older
I'm only good at being young
So I play the numbers game to find a way to say that life has just begun
Had a talk with my old man
Said, "Help me understand."
He said, "Turn 68,
you'll renegotiate
Don't stop this train
Don't for a minute change the place you're in
Don't think I couldn't ever understand
I tried my hand
John, honestly, we'll never stop this train."

Once in a while when it's good
It'll feel like it should
And they're all still around
And you're still safe and sound
And you don't miss a thing
'Til you cry when you're driving away in the dark.

Singing, "Stop this train
I wanna get off and go home again
I can't take this speed it's moving in
I know I can't
'Cause now I see I'll never stop this train."

dr dulu gw pngn waktu berhenti di moment paling menyenangkan, masa muda, seru2an...tp gw slalu diem ketakutan pas malem mau tidur...takut karena begitu gw nutup mata, begitu buka lagi semua yg menyenangkan itu dah cepet banget ada di masa lalu

waktu cepet banget jalan, tau2 dah umur sekian, banyak yg kebuang percuma, banyak kenangan, banyak yg udah ilang, ortu, pacar, dsb.....well mau digimanain jg toh i can't stop this train, and it's moving so fast

MrWorldwide

Wherever we're standing, I won't take you for granted

adit2281

Kunto Aji -Terlalu lama sendiri

Sudah terlalu lama sendiri
Sudah terlalu lama aku asyik sendiri
Lama tak ada yg menemani .. rasanya ...

Pagi ke malam hari tak pernah terlintas d hati
Walau dsaat sendiri aku tak pernah merasa sepi
Dst ... dst ...

Emang selama ini selalu sendiri :-(

balam_jloo

hob khol hayati - Elissa..

ﺣﺐ ﻛﻞ ﺣﻴﺎﺗﻰ ﻟﻘﻴﺘﺔ ﻭﻗﻠﺒﻰ ﺧﻼﺹ ﺍﺧﺘﺎﺭ
ﻭﺍﺧﻴﺮﺍ ﺍﻧﺎ ﻓﺮﺣﺔ ﻋﻤﺮﻯ ﺑﻌﻴﺸﻬﺎ ﻟﻴﻞ ﻭﻧﻬﺎﺭ
ﻭﺍﻧﺖ ﺟﻨﺒﻰ ﻻﻭﻝ ﻣﺮﺓ ﺑﺤﺲ ﺑﺮﺍﺣﺔ ﺑﺎﻝ
ﻗﻠﻰ ﻧﻔﺴﻰ ﺍﻗﻮﻟﺔ ﻋﻠﻴﻚ ﻏﻴﺮ ﺍﻯ ﻛﻼﻡ ﻳﺘﻘﺎﻝ
ﻛﻞ ﻏﺎﻟﻰ ﻳﻬﻮﻥ ﻳﺎﺣﺒﻴﺒﻰ ﻓﺪﺍﻙ
ﻭﻳﻬﻤﻨﻰ ﺍﻳﺔ ﻏﻴﺮ ﺍﻧﻰ ﻣﻌﺎﻙ
ﺍﻳﺔ ﻣﻌﻨﻰ ﺍﻟﺪﻧﻴﺎ ﺩﺓ ﻏﻴﺮ ﻭﻳﺎﻙ
ﺩﺓ ﺍﻟﻐﺎﻟﻰ ﻳﻬﻮﻥ ﻳﺎﺣﺒﻴﺒﻰ ﻓﺪﺍﻙ
ﻭﻳﻬﻤﻨﻰ ﺍﻳﺔ ﻏﻴﺮ ﺍﻧﻰ ﻣﻌﺎﻙ
ﺍﻳﺔ ﻣﻌﻨﻰ ﺍﻟﺪﻧﻴﺎ ﺩﺓ ﻏﻴﺮ ﻭﻳﺎﻙ
ﻛﻞ ﻟﻴﻠﺔ ﺑﺘﺘﻌﺎﺵ ﺟﻨﺒﻚ ﺑﺎﻟﻨﺴﺒﺎﻟﻰ ﺧﻴﺎﻝ
ﺟﻮﺓ ﻣﻨﻚ ﻏﻼﻭﺗﻚ ﺩﺍﻳﻤﺎ ﻗﻠﺒﻰ ﻋﻠﻰ ﺩﺓ ﺍﻟﺤﺎﻝ
ﺍﻧﺖ ﺍﻭﻝ ﺣﺐ ﻭﺍﺧﺮ ﺣﺐ ﻫﻌﻴﺶ ﻭﻳﺎﺓ
ﻭﺍﻟﻠﻰ ﺑﻴﻨﻰ ﻭﺑﻴﻨﻚ ﺍﺣﺴﺎﺱ ﺍﻛﺒﺮ ﻣﻦ ﻣﻌﻨﺎﺓ
ﻛﻞ ﻏﺎﻟﻰ ﻳﻬﻮﻥ ﻳﺎﺣﺒﻴﺒﻰ ﻓﺪﺍﻙ
ﻭﻳﻬﻤﻨﻰ ﺍﻳﺔ ﻏﻴﺮ ﺍﻧﻰ ﻣﻌﺎﻙ
ﺍﻳﺔ ﻣﻌﻨﻰ ﺍﻟﺪﻧﻴﺎ ﺩﺓ ﻏﻴﺮ ﻭﻳﺎﻙ

GrayF

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